Dating epiphone mandolin Dating Epiphone Mandolin

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The neck was basically an L-5 neck in scale, section and detail. Most were 3-piece solid maple bodies.

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It marked the beginning of a new era for Gibson. The choice to discontinue the Mark Series had to do dating epiphone mandolin the general turmoil of the Gibson company in the last years of ownership by Norlin.

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I'd rather drive a truck" thanks Ricky Nelson Find what you love Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. These can exist on any model numbers including the A-jr. In the name changed to the J and the standard back and sides became highly figured maple.

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Rosewood, oak, mahogany, koa and maple, Tops: Several cost-cutting measures existed between the Advanced Jumbo and the J including scalloped braces on the advanced Jumbo and not on the J They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. The rosettes were simple white-black-white. The tuners were individual Kluson with amber buttons. They were well suited for orchestral arrangements as well as individual play and accompaniment.

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They were the J and the Southerner Jumbo. Maybe " Shadow " could look into this for us? These instruments live a bit outside that critique. The early models had shallow neck sets that increased in angle around Epiphone dating epiphone mandolin numbers are usually on the back of the guitars headstock.

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In mid bookmatched two piece Sispruce tops reappear.

Current Epiphone Serial Number Information

MK models were only made in Skin and Language Theme: B-series — Factory location: C-series — Factory location: The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish.

A, B, C, or D which indicate the series. Between andGibson worked with Dr. This is a headstock that tapers from narrow at the top to slightly wider at the base the reverse of the traditional Gibson headstock shape. But unlike the innovative and prestigious Gibson mandolins and guitars, the.

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Acknowledgements Information gathered from many sources but there are a few that need to be acknowledged: Over time the J braces began to appear scalloped. The decade following saw a change in finish from varnish to shinier lacquer.

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The Southerner Jumbo later shortened to: They had owner applied pick guards and multi-bound backs and tops including red line highlights. It was initially called the De Luxe Jumbo for the few versions that were delivered before the model went into production.

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It also had a black veneered headstock front and back and a black inlay in the back of the neck. Inlaid into the top of the instrument. The electric version included a P pickup at the end of the soundboard like the later versions of the JE.

The one delivered first to Ray Whitley was not the model now seen as the beginning of the Super Jumbos, but a simpler 12 fret version.